Artist as Family: Our Artist Talk

Monday, 5 October 2009

Our Artist Talk

We presented our artist talk today in front of a small and enthusiastic crowd of temporary jailbirds. Our talk was the last scheduled event on the Critical Animals line-up. If you are reading this blog for the first time today because you were handed our card by Zeph at our talk, welcome and thanks for coming along today.

If you couldn't make it to the Lock-Up today: our talk was about our project, waste, steady-state economics (in which economic activities fit within the capacity of ecosystems), permaculture, future scenarios, our Daylesford community and the Hepburn Relocalisation Network and our relationship with waste.

A big thanks goes to Gerry Bobsien from the Lock-Up for taking these photos and for her ongoing support. And likewise to Aden Rolfe, Co-Director of Critical Animals, for his enthusiasm for our project and for helping us pick up rubbish very early one morning.

2 comments:

farmdoc5 October 2009 at 20:47
Congratulations. I really wish I was there to hear your presentation. It's sad, I think, and regrettable, that the crowd was small. It probably means that the coming environmental apocalypse - which I believe is inevitable - has not yet caused public opinion and participation to reach the tipping point. I don't know when that'll happen; but it will happen. Until then, and after then too, it's vital that people like you guys, say what needs to be said, and point the way to a better life for everyone. For that (and of course for lots of other things), I'm so very proud of you, AaF. xxx
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farmdoc5 October 2009 at 20:54
Oh, I forgot to say that I think the first photograph in this post is superb. It captures (pun intended) wonderfully what I'm sure the founders of The Lock-Up Cultural Centre were hoping to achieve when they set it up. xxx
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About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.