Artist as Family: Free Wheelin'

Saturday, 3 October 2009

Free Wheelin'

TINA, the This is Not Art festival has started so Newcastle is abuzz with young folk keen to take part in some way. There are exhibitions, forums, artist talks, movies, music gigs, poetry readings, performance art and an exercise yard full of local trash collected over the last 9 days.

We two adults came up to Newcastle for TINA last year and it feels good to be back, this time with Zeph to share the experience. And our bikes. Last year we were on foot, but this year it's great to have our own wheels. Riding, stopping somewhere to pick up rubbish, then riding to our next destination.

It's so fun to ride around the city and wave at all the other cyclists on their Bike Library bikes, recognisable by their individual nameplates.

4 comments:

Gerry3 October 2009 at 18:09
I saw THE TURK today as well! Although I must say I think LOTTI DARLING is my favourite.
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Permapoesis4 October 2009 at 09:02
mine too.
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farmdoc4 October 2009 at 10:12
Newcastle must be getting to you guys, AaF. I've never seen anyone smiling after falling from a bike. I hope you're undamaged, PJ. And I hope the three of you continue to have fun and to do good work up there. xxx
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Permapoesis4 October 2009 at 13:04
thanks fd,

when i fell and after inquiring if i was ok, meg ordered me to stay where i was so as to snap the shot. by the time the camera was loaded and ready to shoot we were both in stitches, it's amazing the peg wasn't blurred.
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About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.