Artist as Family: About Time

Saturday, 26 September 2009

About Time

Having our residency in an old jail really pronounces our ideas about time and how we choose to spend it. One of the important aspects of our project is time decompression. This morning we woke to blustery dustery gales outside, which would have made it difficult to ride our bikes anywhere. Although we were free to leave the building, we still felt like prisoners of sorts.

The This is Not Art festival starts this coming Thursday, so we are pressed for time to get some kind of exhibition of our work ready. Having a looming booming deadline is a great motivator, but it's also a great tool for compressing time. Today we tried to strike the balance of working towards something and drifting at the pace of our own clocks.

After the wind quietened down, we biked here and there, picking up rubbish as we went, ending up like storm-water inevitably does, at the beach.

Our goal was to pick up as much plastic as we could to add to what we have collected up until now:

The beaches here are so beautiful, one of the reasons we thought Newcastle the ideal place for an Artist as Family adventure. While the littlest artist busied himself with paying homage to the land art movement of the 60s,

we two older ones combed the beach for waste, looking much like our chickens at home do as they forage in the soil for grubs.

Here's a pic of what we found today, soaking in the sink when we got home.

4 comments:

eddy carroll27 September 2009 at 08:25
Wow,
like postcard that unfold in a concertina,
this is looking great
and moving along at a beautiful pace..
A pang of envy not to be up there
just came over me.
X
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Meg27 September 2009 at 16:51
We wish you were up here too, Eddy. Collecting rubbish has never been so fun!
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farmdoc27 September 2009 at 19:43
AaF, I'm fascinated that in both photographs of the plastic rubbish, it's so brightly coloured. Not at all faded by the sun and/or salt water.
I'm certain that with your creativity you'll turn it into fantastic artwork. But the litterers didn't know that when they littered.
If people treat their local beach with disdain, then one cannot feel anything but disappointment. And despair.
I hope you novo-Novocastrians have a great week. xxx
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Permapoesis27 September 2009 at 20:25
hi there fd, thanks for your comments.

it's true that much of the detritus is still bright, however there is much we have collected that has been out to sea, sun-faded and worn like driftwood. i did an hours roam between 6-7 this morning and pretty much cleaned the surface of the beach, but by the afternoon the aaf bought home another 5 bags just from that day's consumption – pretty relentless, i hate to think of the waste being generated in Australia behind closed doors if this is the extent of what people are publicly willing to display.

p
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About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.