Artist as Family: Active activism

Saturday, 9 November 2013

Active activism

We, Artist as Family, stand firmly with our feet on the soil, as we stand with Jonathan Moylan.

Photo by Rasha Tayeh

For those of you who are out of the loop, Jono is a 25 year old from Newcastle who is facing up to ten years in prison and a $765,000 fine for sending a press release highlighting ANZ’s role in funding the Whitehaven open cut coal mine in north-west NSW. The mine threatens community health and food producing land at Maules Creek, and the health and survival of Koala populations in the Leard State Forest.

We reckon we're in pretty good company too:

Vandana Shiva

The photo of AaF above was taken by our dear friend Rasha Tayeh. Rasha is, among many things, a documentary filmmaker whose most recent work is The Growing Food Project, a short doco that explores some of Melbourne's urban agriculture practices and community food initiatives, where people are coming together to build local, fair and sustainable food systems. The film features Patrick's award winning poem Step by Step.

The film's premiere is on Wednesday 20th Nov at the Australian Centre for the Moving Image (ACMI) at 7pm.

The screening will be followed by a panel discussion of food activists inviting the audience to discuss the benefits of supporting local food systems.

You can purchase your tickets here.

And while on the topic of Patrick's poetry, a huge congratulations are in order:

Patrick has just completed four years of doctoral research. In a nutshell, Walking for food: regaining permapoesis is:

a biographical thesis that investigates how we might transition to fairer, more just and sustainable communities. It draws on Indigenous knowledges and permaculture modelling in the attempt to demonstrate achievable societal change from the household and community economies out. The thesis contends that modern living is inherently damaging; and on such a scale that personal accountability is degraded. The ecological and social consequences of this are clearly evident, and the thesis challenges us to transition to radically different forms of living where permanent making replaces disposability, and personal accountability is once again performed.

If you're interested in receiving a PDF of the final draft, please contact us.

And while we're on the topic of positive and inspiring activists, Perth based singer songwriter Charlie Mgee, AKA Formidable Vegetable Sound System, recently visited the Hepburn Shire during the Swiss Italian Festa where he played a fabulous set of some of his songs from his album, Permaculture: A Rhymer's Manual.

Charlie's album focuses on bringing simple concepts of sustainability into the spotlight using the power of music, rhyme and humour to convey the permaculture principles in fresh ways to new audiences. If you get a chance to see Charlie play, we highly recommend you grab it.

And, while on the topic of grabbing: there has been much handlebar grabbing in these here parts as the departure date for our adventure draws near - 6 days!! We have been spotted all over the place as we ride with our panniers fully loaded on practice rides from starboard to port.

If we don't get a chance to post again for a while, see you on our way up the continent!

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About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.