Artist as Family: That Ancient Ceremony

Monday, 5 July 2010

That Ancient Ceremony

Gardening is not a rational act. What matters is the immersion of the hands in the earth, that ancient ceremony of which the Pope kissing the tarmac is merely a pallid vestigial remnant.
- Margaret Atwood

Today we lived our homage to Ms Atwood. We lived it in the rain. With two pairs of socks beneath our gum boots. We lived it in the rain as we intimately weeded the Food Forest floor, alongside magpies foraging for worms.

We lived it in the rain with our garden forks as we removed rocks and broken bricks and small tiles. And then we lived it with our shovels in hand as we mixed into the earth topsoil, compost and dynamic lifter, readying it for the trees that arrive tomorrow.

1 comment:

Peter O'Mara6 July 2010 at 20:16
Hi AAF.

Lily & I were wondering what you are lying on in the photo on the top of your page. My guess is that you are on top of the table at the Tipperary Springs picnic site. Is this correct?

Lily is standing beside me as I type in her striped paddle pop pyjamas that make her look rather tall.

Yesterday it was Mindy's birthday.

She is 5 yo or 35 in dog years..that makes her older than Lily but younger than me. If she lives to 2013 she will be the oldest in the family. Not bad for a small poodle!

This morning is was -2degrees here in Hepburn Springs.

Hoping todays plantings went well & we look forward to having a squizz at your blog-site tomorrow......

Lily says HI HOE to Zephyr.

We miss you all.

xPete+Lily11
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About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.