Artist as Family: Permission to plant

Friday, 18 June 2010

Permission to plant

We have just received a wonderful letter of support from the Metropolitan Local Aboriginal Land Council (MLALC), the legal custodians of the Food Forest.

"We hold great pride and respect for our culture and fully support the way in which the food forest will educate the wider community on Aboriginal history and culture." Rebecca McHugh, MLALC

Today we also spoke to Helen from Marrickville Community Nursery, a biodiversity nursery that specialises in plants native to the Cooks River in Sydney. Many of these plants are also native to Surry Hills, so we'll be making our way there shortly to buy bush food plants for the forest.

A list of Cadigal Wangal Edible Plants will benefit any Sydney food garden. To produce food while renewing local ecology is a significant principal of permaculture, and this can be achieved on a balcony, in a backyard or on a farm.

2 comments:

farmdoc19 June 2010 at 12:11
Well done, AAF. Whenever project milestones are met, it's a cause for celebration. All power to your digging and planting arms.
ReplyDelete
Replies
Glen Dunn19 June 2010 at 18:02
That's just so cool. Fricken yay u guys.

love.
ReplyDelete
Replies

Add comment

About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.