Artist as Family: Love from Peter Tyndall too

Tuesday 18 May 2010

Love from Peter Tyndall too

A little while ago we were required to ask for support letters to apply for funding for the Food Forest. We naturally asked members of our local community – permaculture co-originator David Holmgren and seminal conceptual artist Peter Tyndall. Both David's and Peter's letters were very generous, to say the least.

Patrick, Meg and Zephyr are thoughtful, energetic, articulate and engaged members of this rich local community. What they live and learn and practice here they also offer, as the Artist as Family, for the consideration of others. Last year, I followed them, via their several blogs, through a residency at Newcastle’s This is Not Art festival. I hope to be able to do so again during their participation in the MCA’s In the Balance: Art for a changing world. I recommend them and their application for your support. Peter Tyndall

(Blush, blush, thank you Peter). The Food Forest is a fusion of art and applied ecology, therefore to have this level of support from these two good and brilliant folk gives us much strength and focus as we head closer to realising this work. The union between the conceptual and the ecological is not only about providing interesting (we hope) public art and free ethical food in one combined work, but to make a work that participates in what it represents in healing the apparent rifts between the mind and the body, nature and culture.

For the connoisseur, Peter Tyndall's blog:

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About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.