Artist as Family: April 2020

Sunday, 12 April 2020

Radicalising the home economy for greater adaptation and well-being

Hello Dear Reader,

We've been incredibly busy with harvest season this year. It's the first time in 12 years without volunteers helping to prepare and store food, fuel and medicine for the winter, exchanging their labour for learning, and helping us process the various abundances of this giving season.

We're happily ensconced in the thrum of this seasonal moment with a quieter, more beautiful world, engaging with a plethora of wonderful neighbours, song birds, goats and other sentients while ramping up the next chapter of our radical homemaking.

We've also been making more neopeasant how-to videos and putting out other offerings on our Youtube page as our way of contributing to strengthening peoples' home economies, adaptation and general well-being.

Last week we participated in the first Happen Films podcast, which is a weekly, hour-long conversation with people navigating this new era, embracing the not-knowing of it while at the same time knowing pretty much what to get on with.

While we've spent the past 12 years slowly weaning ourselves off the monetary economy, and up until COVID-19 we had managed to achieve a 70% reduction of dependancy on the global monetary economy, like many people we have lost money income. We are now a 85% non-monetary household, and while we're pretty excited about this as we've been working towards such an achievement for a while, we weren't entirely prepared for it. The first 50% of reliance on money was fairly quick to achieve. Going car-free, giving up air travel and a few other expenditure-curbing things did this for us within the first twelve months of our transition all those years ago. However, the remaining 50% has been a slow step-by-step process, the last 30% being for our rates and some some utility bills, though mostly for our access to a modest parcel of land.

Let's talk about housing being recognised as a basic human need again in Australia, and let's all work together to phase out multiple property ownership. Let's sing up the seeds and the rain for universal access to land for everyone so we can grow the local-ecological economies we really need to invest in now.

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We have been overwhelmed by people's generosity in response to our return to social media, and specifically for our neopeasant how-to films. Your kind and encouraging words (both publicly and privately) are spurring us to share more about our life and daily processes. We have had many people ask us to put a Donate button on our blog. We have ummed and aahed about this but today have decided to. Many thanks for your support, everyone. We are feeling most humbled and most grateful.

About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.