Artist as Family: April 2012

Sunday, 15 April 2012

Good Wood

We found some wood, you see. A whole stack of old hardwood batons that were holding up the tiles of a roof that was being retiled in time for the winter rains. The tiler was thrilled when we asked if we could take it, saving him a trip to the tip to dispose of it.

Off we went.

'But it's my billy cart, Dad. If you'd like to use it, you have to pull me up the hills.'

'Let's stack the longer bits first and then the small bits.'

Toot toot go the cars as we wobble down the footpath towards home.

A few days later we decided to take the billy cart on another adventure: to our newly opened local community op-shop. In no time at all we had completed our autumn clean-out and had filled five big bags of goodies to recycle.

The Daylesford Community Op-Shop is based on a Swedish thrift store model: to provide local community members with what they need including electrical items, so they don't have to shop outside of town or buy new items, and all profits are then put back into the community.

Local not-for-profit organisations can apply to receive the profits for a month. The month of May for example is for Hepburn Wildlife Shelter, which means that they promote that month as theirs. They can bring in their saved-up goods to be sold and their members volunteer at the op-shop.

Based on the size of our town the op-shop is forecast to inject $100,000 a year back into the community.

There's also a community space where mothers can nurse their babies, a book nook, a seed bank and a chai lounge. Pretty amazing, huh?

A brief stop at one of our community food gardens to turn over the compost, and then on we go.

Back home and our day was not quite done. Inside our chicken coop, our birds have been flying over the low fence and have been digging up one of our vegie patches. We have been setting up more substantial fencing over the last few weeks. And after our recent score we finally had enough timber to make some gates.

We harvested the last of the potatoes and Jerusalem artichokes, dug the beds over, added compost and planted them out with heirloom vegies.

We planted broad beans, three varieties of carrots, kohlrabi, two varieties of beetroot, celeriac, leek and plenty of cabbage.

We are a bit obsessed with cabbage in our household. We love to eat it raw in salads but even more so, we love to lacto-ferment it into sauerkraut. Here is a jar of our latest batch.

And here is the final fruit of our labours: a stack of kindling wood ready for the winter.

About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot, home to our School of Applied Neopeasantry at Tree Elbow University on Djaara peoples' country.

We base our creative practice on our concept of permapoesis, which simply means permanent making or regenerative living – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking, community economy making and other accountable living skills to volunteers called SWAPs (Social Warming Artists and Permaculturists) and teach Permaculture Living Courses (PLCs). We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.